exhibition

SF Camerawork - Forecast 2019: Annual Survey Exhibition

FORECAST 2019: SF Camerawork’s Annual Survey Exhibition
Exhibition Dates: June 27 - August 17, 2019
Opening Reception: Thursday, June 27, 2019, 6 - 8 PM
Juror Walkthrough: Thursday, August 8, 2019, 6 - 8 PM

SF Camerawork is pleased to announce the selected artists for Forecast 2019: SF Camerawork’s Annual Survey Exhibition. Each year SF Camerawork invites an esteemed jury to curate its annual survey exhibition This year’s jurors Beryl Bevilacque (Artist Liaison, Jessica Silverman Gallery), Samantha Cooper (Photo Editor, Wired Magazine), and Erica Deeman (Artist) selected the work of 13 photographers from over 200 entries.

SELECTED ARTISTS

Adrian Burrell (Juror’s Choice Award)
Johnnie Chatman
Nathan Cordova
Salome El
Keko Jackson
Brendon Kahn
Vikesh Kapoor
Kristina Knipe
Desiree Rios
Sophia Schultz Rocha
Chanell Stone
Adrian Octavius Walker
Aaron Wax

For more information and gallery hours, please click here.

Catalysts in the Morning Dew

"Catalysts in the Morning Dew"
Friday, May 18 - Tuesday, June 5
Reception: Thursday, May 24, 6:00 - 8:00pm.

School of Visual Arts presents “Catalysts in the Morning Dew,” an exhibition of works by students selected by a jury of their peers. Organized by SVA Galleries, “Catalysts in the Morning Dew” is on view Friday, May 18, through Tuesday, June 5, at the SVA Gramercy Gallery, 209 East 23rd Street, New York City.

“Catalysts in the Morning Dew” features work that is inspired by socio-political themes throughout the world. Each of the artists’ chosen subject matter gives viewers access to these topics of geographical and social concern, leading to reflection and critical questioning of society. Works include illustrations, paintings, photographs and mixed media collages.

Vasileia Anaxagorou’s (BFA Fine Arts) paintings, inspired from her perspective of having come from Cyprus to New York City, explore the way landscapes morph under political, social and geographical influences.

Sam E. Anderson’s (BFA Photography and Video) work considers the Anthropocene period and how humanity is compromising our planet’s natural environments, notably through cities and the destruction they cause, in spite of the beautiful spectacle of modernity.

Vicky Azcoitia (MPS Digital Photography) metaphorically captures the stage of late pregnancy through photographic documentation of ferns, relating their physical transformation to her own experience of giving birth to a child.

Johnnie Chatman (MFA Photography, Video and Related Media) uses photographic constructs and idioms of the American West and Western landscape photography as elements of allegory. In doing so he interrogates black identity as it reconfigures itself against historical and contemporary narratives of being American.

Sofiya Kuzmina’s (BFA Illustration) illustrations reflect on questions of origin as an immigrant, dealing with the severe cultural changes experienced across multiple countries while acclimating herself with New York City.

Raquel Loeza (BFA Photography and Video) photographs homes in Oceanside, New York, that were abandoned due to the exorbitant costs of recovery from 2012’s Hurricane Sandy highlighting the ongoing struggle to recover from increasingly intense natural disasters.

Working with the organization “Remember Nhu,” Grace Spencer (BFA Photography and Video) uses photography to document victims of childhood sex slavery in order to bring awareness to the issue and represent the faces of those affected by this global epidemic.

Hai Fei Xie's (BFA Illustration) woodcut series "Of Mice And Men" illustrates the rough-hewn and darker elements of the story. Fei borrows thematic elements from John Steinbeck's writing to create her own interpretation and unique style of storytelling.

Naixin Xu’s (MFA Photography, Video and Related Media) photo series “New Tibet” depicts surreal and iconic Tibetan scenes and the effects of Tibet’s relationship with mainland China. The settings show modernization of cultures once insulated from external change and influence for centuries.

Hanwen “WenWen” Zhang (MFA Photography, Video and Related Media) presents a “micro-history” of the development of China by juxtaposing photos from his childhood town with his father’s family photographs.

Juried exhibitions are a way for SVA’s student body to recognize the achievements of their most distinguished classmates. Artists are selected from a large pool of applicants to the annual SVA Galleries call for entries, whose submissions undergo a rigorous examination of presented materials, including documentation of work and artist statements.

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Haphazard Paradigm - Exhibition

‘Haphazard Paradigm’

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http://www.reart.show/

Guest Curated by Wardell Milan and Melvin Harper

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The works in ‘Haphazard Paradigm’ look to question the deep cultural identities a person invests in; race, gender, and nationality. These historical and anthropological positions created to structure and perennially reaffirm social constructs, do so under the guise of identity. Such structures fix identifiable attributes to bodies, persons and communities, with little room for fluid variables. Questioning whether these constructs are nothing more than antiquated aesthetic signifiers, tethered to economic and political taxonomies, the artists in this exhibition smash, edit and ignore pedagogical social paradigms, so that gender and desire are free-floating, and the ideas of race and nationality are flexible.

Grahame Weinbren , recognized as a pioneer of interactive cinema, has made films and installations for over 30 years including this collaboration with Roberta Friedman, “We are always interested in constructing ways of evoking the pleasures of cinema without implicitly accepting an ideology—of passivity, manipulation, and repressed violence—that we would explicitly reject. Can there be films that remain cinematic without indulging in one form of pornography or another?” "Murray and Max..." is, in part, a proposal, a blueprint, for such a form of cinema.

Daniela Puliti proudly proclaims herself a strident feminist, creating work as a social and cultural critique from that vantage point. Humor operates as ingress to explore issues of intimacy, isolation, frustration, anger, and repression. The use of craft materials such as yarn, fabric, and glitter challenges the hierarchical notions of art making.

Through strategies of arrangement and contingency, Kristine Eudey’s (b. 1986, Rockford, Illinois) works revolve around human relationships to material and power. Through a practice spanning sculpture, photography, and video she explores the ways in which image-based representation and the augmentation of physical space convene to shift our relationships to the visible, producing a condition of abstracted and infinite views.

Melvin Harper (b. 1980, United Kingdom) These fabric sculptures replicate sex dolls. Using luxury fabrics the form becomes clad in the same systems of fashion semiology we use, but vacant of western identity - gender, race, nationality being neutralized, along with the utility of labour. The removal of demographic removes sociological narrative, procreative posterity yields to an aggressive carnal action, invoking a futility of purpose, what remains is a form, a body, latent with the action of penetration, a fuck vessel. Alpaca, super 120s wool, cashmere, and functional satin lined orifices mock a contemporary western psyche entrenched in systems of aesthetics.

Born and raised in Southern California, Johnnie Chatman is a photographer and experimental filmmaker residing in New York City. His work has been shown across the U.S., including exhibitions at the Claremont Museum of Art and the De Young Museum in San Francisco. His art practice explores the dyad of human growth and the exploitation/ alteration of the natural environment by examining areas of equilibrium and offset, through constructs of identity, historical implications of the West, and cultural capital.

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A collective of International women artists, Et Alia came together to create an open dialogue about the current state of women's issues globally, through their art making. For this show, the group's founding members, Ala d' Amico, Jiwon Choi, Kelsey Lynn, Netta Laufer, and Sara Meghdari present their individual perspectives of identity through an array of mediums. In the spirit of Baldwin’s inquiry, “The purpose of art is to lay bare the questions that have been hidden by the answers.”

Anders Jones contributes to the dialogue on the African-American experience using a variety of representational strategies and materials